Monday, December 17, 2012

What Christmas Songs Can Teach a Writer


"You're a Mean One, Mr. Grinch"  The only character greater than a villain is a villain who is redeemed.

"Oh, Holy Night"  A powerful story is often best told simply.

"Silent Night"  A few simple images can create powerful emotions.

"I Saw Mommy Kissing Santa Claus"  Sometimes, something innocent can become creepy.

"The Twelve Days of Christmas"  A one-sided romantic relationship is boring.

"Rudolph the Red-Nosed Reindeer"  The underdog with a reviled talent makes a great hero.  

"Frosty the Snowman"  A great character often deserves a sequel.  ("I'll be back again, some day." ) 

"Carol of the Bells"  Driving rhythm can pull the reader forward.  

"Do You Hear What I Hear?"  You can tell a story through dialogue.

"The Christmas Song"  ("Chestnuts roasting on an open fire…." )  Setting alone can show strong emotion and story.

"Good King Wenceslas"  Sometimes, a character is remembered more for kindness than power or glory.

"I'll Be Home For Christmas"  Home and family are two of the most powerful goals within the human heart.  

"Baby, It's Cold Outside"  "This is for your good, not mine" is a great seduction.

"Jingle Bells" and "Jingle Bell Rock"  The times and tempo may change, but the story remains the same.  

"Have Yourself a Merry Little Christmas"  Sometimes, the character's emotions and the message aren't the same.  

"Santa Baby"  With the right voice, even Santa and a chimney can be made into a double entendre.  


NOTE:  Happy Holidays, everyone!

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