Showing posts with label cross genre. Show all posts
Showing posts with label cross genre. Show all posts

Monday, May 4, 2026

Literary vs Genre, Defining the Debate

 A debate I often see on various websites is the value/worthiness of genre novels in comparison to literary fiction. Usually, it’s genre writers fighting back at what they perceive as a slight against what they write.  Unfortunately, most don’t have a clue about the difference between popular genre and literary fiction so their arguments make little sense.  I thought I’d rectify that problem.  

The simplest comparison between literary fiction and popular/genre fiction is that literary fiction is about the telling of the story, popular fiction is about the story itself. 


In literary fiction, the author is always evident through the flashy style and the use of complex structure.  Plot isn’t important. A common technique found in literary fiction is the frame story where someone in the present is looking into the past, or the end of the novel is revealed at the beginning.  In other words, time in most stories isn't linear, and the reader doesn't read primarily to know what happens next and how it turns out in the end.  This technique emphasizes character over plot.


In genre fiction, the writer should be invisible, and the reader should be part of the story and not really aware of the writer and the way he's putting the story together.  Anything that breaks this "dream state" is a failure on the writer's part.  


In literary fiction, the opposite is true.  The language draws attention to itself, and the reader pauses to think, "My, what an excellent use of metaphor and language!  I think I'll reread that again."  This is what the literary writer aims for.


In recent years, since the big publishers now demand decent sales from literary writers, authors have been using genre techniques in literary fiction or vice versa in order to widen their audiences. 

Monday, May 13, 2024

What's Your Genre?

Within a genre or subgenre, there are different styles and types of books.  The difference can be the sensual/sex level, the romantic level, the amount of plot and characterization, scientific level, adventure levels, world building levels, etc., etc.  

These differences often mean that one reader will like certain books but not others within the same subgenre.  


In your own reading, you have probably noticed that you gravitate toward certain writers, and others leave you cold.


I have a question for you, and I want you to think really hard about it.  


Can you name several authors or book series that you want your books to be like?  I'm not talking subject matter, I'm talking the whole feel of the books.


Why are this question and its answer important?  


Novels don't exist in a vacuum.  Your novel will not only need a publisher to publish it, you'll need an audience to write to.  And despite publishers saying they want different, they want close-to-the-same different, and readers are the same way.  


You absolutely must have an answer to this question before you begin to market your book to agents/publishers/readers.

Monday, May 6, 2024

Cross-genre World Building.

Cross-genre books mix elements of two genres. The paranormal romance is really a romance with fantasy or horror worldbuilding.  The sf romance is science fiction world building in a romance, etc., etc.

I'm a firm believer that you have to understand, read, and respect the genres you are mixing, or you shouldn't write it.


In recent paranormals romances I've read, the author didn't have a clue about fantasy or that you shouldn’t steal a prominent writer’s world building because it is blatantly obvious and annoying.  One had a magic system that was a generic mishmash as well as a complete HIGHLANDER rip-off with swords, decapitations, and magic being transferred.


Another took the Harry Potter universe with its magic system and world, then tossed in her characters.


I've read futuristics that were really Klingons in love with the alien and STAR TREK names changed, or the science was so bad a third grader could have spotted the errors.


The danger of not understanding one of the genres is writers lose parts of their audience. Cross-genre is not only supposed to mix the two genre, they are supposed to mix the two audiences. Insult half that audience by not knowing your stuff, and there goes sales.


By ignoring the basics of the other genre, these writers are destroying “the dream" of the books, and that bothers me a great deal as a writer and a reader.

Monday, April 29, 2024

Classifying Cross-genre

 If a novel is cross-genre, one of the genres must be the strongest and its genre tropes and plot must drive the novel throughout.

A sf romance is first and foremost a romance.  Linnea Sinclair's sf romance novels are driven forward by the romance. Catherine Asaro's novels are science fiction novels with a romantic element. The science fiction plot and world building drive the novel forward, not the romance.


A werewolf novel that is driven forward by the world building and various werewolf political/pack struggles is urban fantasy.  A werewolf novel where boy wolf meets girl vampire, and they fall in love during various werewolf political/pack struggles is a paranormal romance.


The important thing to pull out of this is that you must understand what the central genre of your novel is so your novel doesn't fail by genre standards which are really reader expectation standards.  


When you are writing your book, staying within genre or subgenre expectations makes the book much easier to market to the correct readers.  



Monday, August 7, 2023

The Problem with Avoiding Formula

One of the pluses mentioned by authors who self-publish is that the author isn’t trapped by the formula insisted upon by the big publishers.  

Unfortunately, many don’t realize that this formula is more related to what the reader wants than what the publisher demands.


I’ve been reading a bunch of self-published books, and I’m seeing this problem with surprising frequency.


For example, I started a paranormal cozy mystery series.  The heroine sees ghosts and solves their murders so they can rest in peace.  A cozy mystery tends to be laid back with an amateur sleuth who uses nosiness and intelligence to figure out the murder.  Violence and the gross elements (the dead body, blood, etc.) are usually off page until the very end when the amateur sleuth faces the killer but prevails.  


In one book in this series, the amateur sleuth is heading to a Western ghost town which is now a restored tourist destination.  She falls asleep and dreams about a ghost taking her to the local town where she meets the sheriff and discovers that a little girl and her family have disappeared, probably trapped in a mine or lost in the desert, and the little girl is in deadly danger.


After the amateur sleuth wakes up, she arrives in town and discovers her dream was accurate.  The hotel is exactly as she dreamed, and the sheriff is the person she dreamed about.  People know the family she dreamed about were there, but no one realizes that the family is in trouble.  


At this point, you’d expect the amateur sleuth to tell the sheriff about the little girl in danger and to do everything in her power to find her.  She does not.  Instead, she acts like this is her standard cozy mystery and begins a very slow and casual investigation while enjoying her vacation. 


Later, she meets the owner of the hotel who knew the family had expressed interest in exploring dangerous mines in search of treasure.  The hotel owner finally realizes the family may be in trouble but won’t tell the sheriff.  The amateur sleuth then gives her three days to tell the sheriff or she will.  All this while the young family may be trapped in a gold mine or the desert without food or water.  


I was screaming at the main character at this point as well as the writer who took a thriller plot and inserted it into a cozy then failed to follow through with the changes.  Needless to say, I haven’t bought any of her other books.  


Another novel with a weird mix of amateur sleuth and thriller had the amateur sleuth trying to solve a crime while the police and FBI were attacking it from another angle so its plot resembled a regular deck of cards with a UNO deck shuffled in.  The frustrating mix not only destroyed whatever tension and mystery existed by giving away too much information, but it alienated readers who prefer thrillers or amateur sleuth mysteries.  


Romances with other elements like a mystery or the paranormal often lose sight of the romance and let the other genre drive the plot.  Part of this problem is poor branding or a misunderstanding of what a romance is.  


If you want to break the rules of a genre, you must understand them first as well as the audience’s expectations and then, very carefully, make your changes so that they make sense within the genre or genres.  Then you must brand the book as the correct genre or genre cross-mix so you find the right readers for your book.  


Those rules about formula are there for a very good reason.

Monday, May 2, 2016

Figuring Out Your Genre

WHAT IS GENRE?

The simplest definition is that a genre is a category of books, either fiction or nonfiction.  In popular fiction, some genres are science fiction, fantasy, romance, mystery, and mainstream.  

Some genres have subgenres within.  In romance, for example, some subcategories include romantic suspense, category/Harlequin-style, and science fiction romance.  Mystery is as varied.  

WHY YOUR GENRE IS IMPORTANT

As a writer, the primary use of genre is that you must please your audience and meet their expectations when they pick up a book labeled as a particular genre.  You must know that a reader will be very angry if you label your book a romance, but it ends with the death of one of the lovers, instead of a happily-ever-after.  

As the marketer of your book, you must know how to label your book correctly to find the right publisher or audience.  

You must know where it would be shelved and the authors’s books it will be shelved with.  

CROSS-GENRE

Cross-genre is a book that mixes two genres.  One of the genres controls the plot line.  To figure out which one, try this article.  

HOW TO FIGURE OUT YOUR GENRE

If a writer can’t guess what genre they are writing, then they aren’t reading enough to write a book that a specific type of reader wants to read.

I always suggest that a writer who can’t guess their genre go to a site like RTBookReviews which covers most of the popular genre and subgenre and read reviews until they find writers telling the kind of stories they are and note the genre. They should then read those books, find others by means of reviews, and features like Amazon’s book suggestion to find more, then read them. Read as widely as possible.

If the book you want to write is cross-genre, then you should be well-read in BOTH genres because you have two sets of fans to please.
The same advice is true if you want to write for a specific publisher. Read what they have to offer so you get a sense of what they want.

For other articles on genre identification, please click on the “genre” tab on the right side of my blog page.  

Monday, July 25, 2011

What Genre Is It?

If a novel is cross-genre, one of the genres must be the strongest and its genre tropes and plot must move the novel forward throughout.   This driving plot is the plot the main character follows to achieve his/her goal.
A werewolf novel that is driven forward by the worldbuilding and various werewolf political/pack struggles is urban fantasy or horror.  A werewolf novel where boy wolf meets girl vampire, and they fall in love during various werewolf and vampire struggles is a paranormal romance.

You must understand what the central genre of your novel is so your novel doesn't fail by genre standards, and you will know where to market it.
You also have to understand and have read both genres you mix.  Cross-genre is not only supposed to mix the two genre, they are supposed to mix the two audiences. Insult half that audience by not knowing your stuff, and there goes sales.

Monday, August 17, 2009

What Genre Is It? CRAFT

If a novel is cross-genre, one of the genres must be the strongest and its genre tropes and plot must drive the novel throughout.

A werewolf novel that is driven forward by the worldbuilding and various werewolf political/pack struggles is urban fantasy or horror.  A werewolf novel where boy wolf meets girl vampire, and they fall in love during various werewolf and vampire struggles is a paranormal romance.
 
You must understand what the central genre of your novel is so your novel doesn't fail by genre standards, and you will know where to market it.