Wednesday, May 11, 2016

Links of Interest

THE SIX ELEMENTS OF FICTION:


RESISTING THE NEW IDEA WHEN YOU HAVE TO FINISH THE LAST ONE:


THE GOOGLE BOOKS VERSUS AUTHORS GUILD LAWSUIT SUMMARIZED:


PREPARING FOR A MAJOR AUTHOR EMERGENCY, LEGAL ELEMENTS:


BRAINSTORMING YOUR PREMISE:


FIXING THE EPISODIC PLOT:


CREATING A STYLESHEET FOR YOUR MANUSCRIPT:


ELEMENTS OF THE PLOT TWIST:


THE FLOW OF YOUR STORY:


TOP WEBSITES FOR SELF-PUBS:


PROMO FOR iBOOKS:


GETTING TO KNOW YOUR CHARACTERS:


WHAT’S YOUR READER RETENTION PLAN, PART 3:


CHOOSING YOUR NEXT STORY IDEA:


THE IMPACT CHARACTER:


YET MORE ON PREPARING AN AUTHOR WILL AND ESTATE QUESTIONS:


WRITING AN ACTION SCENE:


FIGURING OUT THE BEST WAY TO TELL YOUR STORY:


CREATING EFFECTIVE SETTING DESCRIPTION:


THE QUICK SCHEDULE RELEASE, WILL IT WORK FOR YOUR NOVELS?


KEEPING A GOOD RELATIONSHIP WITH YOUR CRITIQUE PARTNERS:



Monday, May 9, 2016

It's the Romance, Stupid!

In the 1992 campaign against George H. W. Bush, Bill Clinton and his advisers realized that the economy was Bush’s weak spot so they decided to focus on that subject. Around Clinton’s headquarters, the sign, “It’s the economy, Stupid!” was posted to remind everyone to stay focused on that issue.

In the same way, a writer needs to hone in on the targeted audience of her book. 

When you are writing and you get a clever idea about the romance heroine’s business problems, you need to decide if that has anything to do with her relationship with the hero. If it doesn’t, out it should go. 

Particularly at the beginning of the novel, that target audience should be kept in mind. The reader wants girl to meet boy as soon as possible so the heroine’s backstory and anything else must be second in importance in those first pages. 

In the same way, the mystery reader wants the murder to happen, the science fiction reader wants some brand new scientific idea or world to startle him, and the horror reader wants his pants scared off of him.


When you are rewriting, always remind yourself that “It’s the romance/mystery/sf/horror, Stupid” and focus your book to that kind of reader.

Wednesday, May 4, 2016

Links of Interest

WHEN YOU ARE STUCK:


SETTING, HOW POSITIVE AND NEGATIVE PLACES CONTROL YOUR WORLD:


INSTAGRAM FOR WRITERS:


USING SOUND TO SET THE SCENE:


THE HUMAN BRAIN DURING READING:


HARLEQUIN BLAZE AND HISTORICAL LINE TO CLOSE DOWN:


FIXING COMMON DIALOG PROBLEMS:


ON AUTHOR WILLS AND PRINCE:


SCENE 101:


WHAT YOU NEED TO KNOW BEFORE YOU SELF-PUB:


WHAT EVERY AUTHOR NEEDS BEFORE THE FIRST BOOK IS PUBLISHED:


FORENSICS, TWIN DNA ISN’T THE SAME:


WHY YOU SHOULD USE A LAWYER FOR YOUR PUBLISHING CONTRACT:


WHY YOUR STORY IS STUCK:


KEEPING YOUR FOCUS ON YOUR STORY:


PREPARING YOUR MS WORD DOCUMENT TO BECOME AN EBOOK:


USING SCRIBNER TO STORE RESEARCH AND NOTES:


DIFFERENT TYPES OF MAGICIANS (MAGIC USERS) FOR FICTION:


NINE THINGS TO DO WITH YOUR BOOK PRESS RELEASE:


GETTING MORE BOOKBUB FOLLOWERS:


TWITTER TRICKS FOR AUTHORS:


RESEARCHING YOUR BOOK TIPS BY LIBRARIANS:




Monday, May 2, 2016

Figuring Out Your Genre

WHAT IS GENRE?

The simplest definition is that a genre is a category of books, either fiction or nonfiction.  In popular fiction, some genres are science fiction, fantasy, romance, mystery, and mainstream.  

Some genres have subgenres within.  In romance, for example, some subcategories include romantic suspense, category/Harlequin-style, and science fiction romance.  Mystery is as varied.  

WHY YOUR GENRE IS IMPORTANT

As a writer, the primary use of genre is that you must please your audience and meet their expectations when they pick up a book labeled as a particular genre.  You must know that a reader will be very angry if you label your book a romance, but it ends with the death of one of the lovers, instead of a happily-ever-after.  

As the marketer of your book, you must know how to label your book correctly to find the right publisher or audience.  

You must know where it would be shelved and the authors’s books it will be shelved with.  

CROSS-GENRE

Cross-genre is a book that mixes two genres.  One of the genres controls the plot line.  To figure out which one, try this article.  

HOW TO FIGURE OUT YOUR GENRE

If a writer can’t guess what genre they are writing, then they aren’t reading enough to write a book that a specific type of reader wants to read.

I always suggest that a writer who can’t guess their genre go to a site like RTBookReviews which covers most of the popular genre and subgenre and read reviews until they find writers telling the kind of stories they are and note the genre. They should then read those books, find others by means of reviews, and features like Amazon’s book suggestion to find more, then read them. Read as widely as possible.

If the book you want to write is cross-genre, then you should be well-read in BOTH genres because you have two sets of fans to please.
The same advice is true if you want to write for a specific publisher. Read what they have to offer so you get a sense of what they want.

For other articles on genre identification, please click on the “genre” tab on the right side of my blog page.  

Wednesday, April 27, 2016

Links of Interest

HOW READERS READ EBOOKS, DATA ANALYTICS:


CONCEPT REVISION, WHAT IT IS AND HOW TO USE IT:


WRITING THE ENDING:


GRAMMAR, QUOTATION ERRORS:


SMASHWORDS SURVEY ON THEIR BESTSELLING BOOKS:


BRINGING YOUR CHARACTERS TO LIFE:


FINDING A GOOD EDITOR:


WORDPRESS BLOGS, HOW TO CREATE A BACKUP AND RECOVERY:


COPYRIGHT THAT AFFECTS WRITERS INCLUDING PICTURES FOR YOUR BLOG, TRADEMARKING A TERM, ETC.:


ESSENTIAL PROMO TOOLS FOR A FIRST-TIME WRITER:


CREATING SEAMLESS NARRATIVE:


CONTRACTS, WARNING ON THE “NON-COMPETE” CLAUSE:


WRITING STRONG CHARACTERS:


USING IMAGERY IN YOUR WRITING:


MAKING THE DULL BITS EXCITING:


PROMO, USING LINKEDIN:


WHAT A READER THINKS OF YOU IF YOUR WRITING IS FULL OF GRAMMAR ERRORS:


SELF-PUBS, QUESTIONS TO ASK WHEN PRICING YOUR BOOKS:


PROMOTIONAL COPY THAT WORKS:


SECONDARY CHARACTERS:


CHARACTER GOALS:


WARNING, SEVERAL SMALL PRESSES WITH BAD CONTRACTS:


TRADITIONAL PUBLISHING, CONTRACT DEALBREAKERS:


USING ACX.COM TO CREATE AUDIOBOOKS:


CREATING A SUCCESSFUL SERIES:


CREATING BOOBYTRAPS:


WHAT TO DO WHEN SOMEONE STEALS YOUR BLOG CONTENT:


PROBABLE GOOGLE-SPONSORED GROUP TRIES TO TAKE DOWN US COPYRIGHT OFFICE SERVERS:


HAVING A MESSAGE THAT’S SUBTLE:


SHARING YOUR POV CHARACTER’S DEEPEST EMOTIONS WITH THE READER:


METAPHORS:


FREE DOWNLOAD (MAY NEED TO HAVE A BOOKBUB AUTHOR PAGE) OF SUCESSFUL AUTHOR AND PUBLISHER MARKETING EXAMPLES:



Monday, April 25, 2016

Research or Make It Up?

My guilty pleasure is TV shows about the paranormal, and I love novels featuring mediums and ghost hunters.  

I finished a book about a medium a few days ago, and the worldbuilding and plot choices which were created without regard to the current research brought a question to mind.  When is it time to use the research on the subject instead of making everything up?

Science fiction writers really don’t have a choice.  When scientists realized that Mars couldn’t support human life, writers stopped writing about Mars with humans without space suits roaming around the planet.  Now, writers use hard science fact when they want humans on Mars.

Parapsychology isn’t an accepted science for many, and some scientists will never accept any form of proof that ghosts, psychic ability, etc., exist because it is against their materialistic worldview.  The same is true of some non-scientists and those whose religious faith denies the existence of the otherworldly that is not part of their faith.

Yet, many people do believe in the paranormal, and many watch shows like GHOST HUNTERS and GHOST ADVENTURES.  These shows and paranormal research have certain accepted facts in common like the kind of electrical energy that is generated by ghosts and the use of EMF meters to detect it and that spirit voices the human ear can’t hear can be heard on audio recording equipment.  

So, the question is should you make everything up or should you use the established research to write your paranormal story?  

The first thing you should consider is your readers.  Most people who read paranormal novels have a working knowledge of the current information on the subject, if for no other reason than they’ve read enough stories to pick up the basics.  There’s also the real possibility that someone who enjoys a good ghost story may also enjoy GHOST ADVENTURES or THE DEAD FILES. Making it all up may annoy these readers.

However, it’s your story so you can make it all up.  

If you decide to create your own paranormal world, your first consideration is that you must create a reasonable set of rules for your ghosts and their interaction with the living.  

If your psychic character is experienced, she should know those rules completely and not dotter around like an idiot.  

Most knowlegable readers will forgive you if you create your own understandable world of spooks and the people who chase them.  

They will not forgive you if you break your own rules for plot expediency.

A middle ground is to use most of the common knowledge then add elements that are strictly of your own invention, such as mediums can only see spirits from a specific period.  

This is another situation where it’s best to understand the rules/current common knowledge then decide the direction you choose rather than being a lazy researcher and doing it your own way.  


SOME AUTHORS WHO DO IT RIGHT USING CURRENT KNOWLEDGE OF THE PARANORMAL:

Victoria Laurie in her "Ghost Hunter” series.  (Author is a psychic intuitive.)

JL Bryan in her “Ellie Jordan: Ghost Trapper” paranormal mysteries.

AUTHORS WHO USE CURENT KNOWLEDGE AS WELL AS CREATE THEIR OWN RULES:

Robin D. Owens in her “Ghost Seer” paranormal mystery novels.  

Darynda Jones in her “Grim Reaper” comic urban fantasy series.