Monday, March 21, 2016

Our World vs. Your World

One of the questions you have to ask yourself when you create the world of your fantasy or science fiction novel is how much of our world do you want to include in your world.

Science fiction set in our future is easy enough to figure out.  Humans are humans whatever the time period.  More than likely they will drink coffee or some form of caffeine beverage.  Do you call it coffee or give it a new name?

Usually, the best answer is to just call it coffee if it’s in the background of the story because the reader has more than enough to keep up with otherwise.  Generic terms like “shuttle” and “matter transfer machine” which are often used in science fiction can also be used.  

Your created terms are best used for important elements of your world.

Fantasy is not as easy to figure out because, with the exception of some urban fantasy and contemporary fantasy, the world is built anew.  Some choices are easy.  A horse is a horse, a sword a sword.

Some common usages and terms, however, are jarring in fantasy.  In the last week, I’ve read about a character eating a “hoagie” and “poppers,” and another using modern psychological terminology.  Each time, the term knocked me right out of the story.  

A writer really needs to think about the words she uses in relation to our world and the one created.  Simple words like “sandwich” are jarring enough, but a term with a great deal of history behind it is a mistake every time.  


We are always told to be specific in our language when we write, but, when we are creating a new world, going for the general term rather than the specific is often the best idea.  

Wednesday, March 16, 2016

Links of Interest

THE COST OF SELF PUBLISHING, 4 AUTHORS SHARE THEIR NUMBERS:


WORKING WITH READER FEEDBACK:


WRITING BETTER DIALOGUE:


EXAMPLES OF GREAT AUTHOR WEBSITES:


HOOKING YOUR READER:


HOSTING A FACEBOOK AUTHOR EVENT:


WRITING AN ENSEMBLE/MULTI-POV NOVEL:


ELEVEN STEPS IN WRITING A FIGHT SCENE:


SELF PUBBING, SETTING UP ACCOUNTS, ETC.:


YOU CAN NOW GIVE AWAY EBOOKS AT AMAZON:


THE PLOT TWIST:


AGE CATEGORIES FOR CHILDREN’S BOOKS:


SUBPLOTS:


WHAT THE READER NEEDS AT THE END OF THE STORY:


THE PARAGRAPH IN THE NOVEL:


CONNECTING WITH READERS:


DEEP POV, PART 2:


THE THREE MOST IMPORTANT ELEMENTS IN THE FIRST CHAPTER:


BUILDING YOUR CHARACTER:


ON WRITING A SCENE:


4 LESSONS FOR WRITERS ON THE CURRENT STATE OF TRADITIONAL PUBLISHING:


MOVING FROM ONE CHARACTER TO ANOTHER:


CHOOSING YOUR NOVEL’S POV AND TENSE:


WHAT TO DO AFTER YOU BLOG:


ONE AUTHOR’S EXPERIENCE ON KINDLESCOUT:


GETTING INTO CHARACTERS’ HEADS THAT AREN’T LIKE YOURS:


FROM IDEA TO BOOK:



Monday, March 14, 2016

Stomp the Butterfly

Over the years as an English major, teacher, and volunteer usher for the local theater, I’ve seen and read more than my share of Tennessee Williams’ plays.  I’m not a big fan of “A Streetcar Named Desire.”  The play is about a fragile and delusional woman who is destroyed when those delusions are crushed, and she is raped by her brutal brother-in-law.

My primary dislike of the play is that Williams writes what I call a butterfly character.  Blanche DuBois flutters about the stage like a fragile and damaged butterfly through most of the play until brother-in-law Stanley squashes her.  She has no strength of character, no chance to win any victory against the destructive forces against her, and she puts up no real fight.  Just flutter, flutter, smash.  The end.  

This kind of character is as prevalent in novels.  I just finished a dark fantasy which had a woman who had genuine potential as a strong character and had a viewpoint, but she ended up as the squashed butterfly when the monster destroyed her.  Flutter, flutter, smash.  All that lost potential and a flat ending for her that only offered a brief moment of horror for the reader but little else.  

Even if a viewpoint character stands no chance against what she faces, she should at least try to survive or offer some struggle.  Otherwise, that character might as well be a nameless extra shrieking and running away from Godzilla.  

A passive viewpoint character is as bad for a story as passive writing.

Wednesday, March 9, 2016

Links of Interest

CHEAT SHEETS FOR USING LINKEDIN, YOUTUBE, PINTEREST, AND INSTAGRAM:


PEN NAMES 101:


PROMO, TOOLS FOR BUILDING BOOK BUZZ:


GETTING THE ENDING RIGHT:


CREATING A READER RETENTION PLAN, PART 1:


WRITER BEWARE, A&M PUBLISHING:


PLACES TO FIND YOUR NEXT BETA READERS:


REGAINING YOUR RIGHTS WHEN YOUR PUBLISHER GOES UNDER:


TRACK CHANGES USING WORD:


USING ONOMATOPOEIA: 


BUILDING A PROMOTION TEAM, PART 3:


SHOWING THE PASSAGE OF TIME:


THE REACTIVE VERSUS THE PROACTIVE CHARACTER:


FIVE STEPS TO CREATING GREAT COVER ART:


DOES YOUR WEBSITE’S FIRST IMPRESSION SELL ART?


FORMATTING SOFTWARE FOR EBOOKS:


SELF PUBS, BUDGETING YOUR BOOK:


GOING FROM SELF-PUBBED TO A TRADITIONAL PRESS DEAL:


GRAMMAR, THOSE TRICKY PARALLELISMS: 


SETTING AS CHARACTER:


FACEBOOK AS A RESEARCH TOOL:


SOME REASONS GREAT FIRST LINES WORK:


THE IMPORTANCE OF TYPESETTING:


HOW TO PUNCTUATE DIALOGUE:


ADDING A FOLLOW BUTTON TO YOUR AMAZON AUTHOR PAGE:


DEEP POV:


WORKING WITH THE PUBLICIST AT A TRADITONAL PUBLISHER:




Tuesday, March 8, 2016

Are You Ready for a Writer Emergency?

Saturday night, my computer was fine.  I’d run a complete diagnostic a few days before that said everything was working as it should.  Sunday morning, I cut it on and got the white screen of death.  Monday, the nice people at the Genius Bar at the Apple Store told me that my logic board was fried, and it was cheaper to replace than to repair Old Faithful.  (RIP, old friend.)

If I hadn’t had both the Apple backup software, Time Travel, recording to an external drive and a cloud account, I would have lost everything—articles, books, apps.  Everything.  

If you do not have an external drive or cloud account and the software that will back it up on schedule, do so now.  You will not regret the extra expense.  

Marilynn


Are you, as a writer, ready for bad weather or emergencies?

Preparing for bad weather can be as simple as having a storm alert radio that will cut on when dangerous weather approaches so you can shut down your computer before lightning fries it. The storm alert radio, also, doesn't interfere with writing like a regular radio for those of us who like to work in quiet. 

Are your computer and peripherals plugged into an alternate power source (APS) so it won't be damaged or your current work lost if the power goes out?   (An APS is like a power strip, but it includes a recharging battery that cuts on when the power cuts off so you have a few minutes to save documents and cut off your computer properly.)

Most alternate power source makers claim an APS with a surge protector will protect your computer and peripherals from lightning, but nothing will protect electronics from a close lightning hit. A good friend lost everything when lightning hit a transformer over a block away, and he had high-end surge protectors and an APS system. 

The safest thing to do is unplug everything, including the APS. 

Also remember to unplug your modem from the electricity and your computer. 

If you have a laptop as well as a desktop, you need to keep it charged to use during bad weather so keep it plugged in, but remember to unplug it, as well, when a storm comes. 

If you want to keep working through bad weather, remember to save a copy of your work to a flash disk, CD, or whatever to move your work to your laptop so you can continue to work. Or sync your work with WiFi.  

Weather preparation isn't just for a short summer or winter storm. It's for major disasters like hurricanes, tornadoes, and wild fires. Always have a back-up copy of all your works in another location, or, better yet, several locations.

In the days before I wrote by computer, I had paper copies of my books at my home, my mom's beach house, and my brother's home near Charlotte. Despite being in different parts of the state, all three homes were damaged by Hurricane Hugo, but the manuscripts stayed safe. That experience has reaffirmed my determination to keep copies of my manuscripts and important papers elsewhere.

These days, I also keep a flash disk copy of my books and other digital documents in my safety deposit box at the bank so I can keep my updates recent. A flash disk or drive, if you're not familiar with the term, is one of those tiny storage units you plug directly into your USB or Firewire connection on your computer or iPod.  

You can also store your works and your computer contents online at storage sites, but as recent outages and disasters have proven, online or “in the cloud” shouldn’t be your only storage solution.  

An external hard drive is also a good option.

It's always a good idea to have an emergency bag or briefcase for your writing partially packed and ready to go in case you need to get out fast because of an approaching hurricane or wild fire. 

Things to keep in this bag include a power plug for your laptop and an updated flash drive. Also include copies of current book contracts as well as notes, etc., of what you are working with at the time.   A paper list of all your passwords is another must.

It would also be prudent to have a recent complete copy of your computer drive in case your home computer is destroyed.

If you use an external hard drive as a backup, you can pack this up very carefully.  (Motion can damage desktop innards.)  Some external hard drives are made specifically to move about so they are a safer alternative.

This bag is also a good place to store a copy of your house and car insurance, pictures of your valuables, etc., in case disaster strikes. Also include a CD with copies of your favorite family pictures, etc., in case the worst happens, and there's no home to return to.


Make a list of the last minute things you will need to pack and stick that in the front of the bag. When emergencies happen, we tend to forget the most basic things so that list will be well worth the time.

Wednesday, March 2, 2016

Links of Interest

MAKE EVERY PAGE OF YOUR STORY INTERESTING:


FIVE PROBLEMS WITH ENDINGS:


PACING:


HOW AUTHORS ARE USING PINTEREST TO MARKET BOOKS:


THE AMAZON LOOK INSIDE FEATURE FOR BLOGS AND WEBSITES:


B&N BOOKSTORES TO UNVEIL NEW TYPE OF STORE:


SELF PUBS, CREATING THE RIGHT KIND OF COVER:


THREE TOOLS TO DISCOVER WHO YOUR READERS ARE:


SUBRIGHTS, WHAT THEY ARE AND HOW TO USE THEM:


EDITOR RECOMMENDATIONS, (BUYER BEWARE):


INTERNAL AND EXTERNAL CONFLICT CORES:


EPUBLISHER SAMHAIN TO CLOSE DOWN:


PLOTTING A SERIES:


EMAIL IS MUCH BETTER THAN TWITTER AND FACEBOOK IN GAINING FANS:


HOW OLD STORIES CAN BE TOLD ANEW:


USING PRICE PROMOTIONS TO PROMOTE A NEW BOOK:


TIPS ON FINDING A COVER ARTIST:


CREATING YOUR HERO’S FATAL FLAW:


JUMPSTARTING KOBO SALES:


WRITING THE MIDPOINT OF YOUR NOVEL:


WRITING AN AUTHENTIC PSYCHIC:


NOTECARD PLOTTING:


TRAUMATIC STRESS AND YOUR CHARACTERS:


THE SCENE ARC:


THE ADVANTAGES OF SMALL PRESS:


RESOURCES AND TIPS FOR SELF-PUBLISHING:


SCENE MIDDLES:


ARE YOU ASKING THE RIGHT STORY QUESTIONS:


GRAMMAR, REPAIRING COMMA SPLICES:


USING AMAZON’S LOOK INSIDE TO SELL MORE BOOKS:


FIVE TIPS TO WRITING A SWASHBUCKLING SCENE:


RELAUNCHING A BOOK AFTER YOU GET THE RIGHTS BACK:


WRITING CINEMATIC SCENES:


FINDING THE RIGHT ILLUSTRATOR: