THE CHARACTER-DRIVEN PLOT:
FORMATTING YOUR SUBMISSION:
SELF-PUBLISHING INTRO AND SCAM WARNINGS:
BEWARE OF ORPHAN DIALOG:
BACKSTORY:
SELF-PUBS, THE ADVANTAGE OF LEARNING AND USING HTML FOR YOUR MANUSCRIPT:
DANGEROUS CONTRACT TERMS IN SHORT CONTRACTS:
KEEPING UP WITH DEADLINES:
HOW TO FIND YOUR CHARACTER’S BREAKING POINT:
POSITIONING YOUR BLOG FOR SUCCESS, PROMO:
YOUR COMPUTER AND OTHER TECH DEVICES AFTER YOU DIE, NO ENTIRELY WRITER RELATED, BUT YOU SHOULD READ:
TAKING APART A SUCCESSFUL NOVEL AS A LEARNING TOOL:
HELP FOR THE PROTAGONIST SHOULDN’T COME EASY:
DEATH DOESN’T HAVE TO COME IMMEDIATELY FOR A MURDER CHARGE:
MARKETS, NEW DAW GUIDELINES:
CREATING A SETTING THAT COMES ALIVE FOR THE READER:
WRITING A TRILOGY:
ROMANCE, WHY SHOULD YOUR HERO AND HEROINE GET TOGETHER?
WRITING THE BOOK BLURB:
SECONDARY CHARACTERS AS REFLECTIONS OR ALLIES OF YOUR MAIN CHARACTER:
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