Monday, October 14, 2013

Too Much Information or Not Enough?


QUESTION:  Is it okay to leave the reader a little confused so that later on, when I reveal the secret to them, it’s surprising?  My main character withholds secrets from others and from the reader.   


It depends on what you mean by confuse.  If you are leaving out information so that what is happening makes very little sense or the main character is behaving in a bizarre manner with no real clue why she is, that’s a very bad thing.  If you give the reader more than a few “what the heck is happening, and why is she behaving like this” moments, then the reader stops reading.  

If you mean not giving the reader all the information, that can work, but it is a tricky dance between giving the reader enough information and lying to the reader by withholding too much.  

With a major viewpoint character it works to leave out information if that character isn’t thinking about something. Readers don’t feel cheated if there’s really no reason for that character to be thinking about this subject, but, if this subject is up front and center in her thoughts, then the reader would feel cheated if important information is left out.

As a very broad example, imagine the heroine thinking during her first meeting with a guy who is attracted to her, but later, it is revealed she’s lesbian.  That’s leading the reader astray in a dishonest way.  If, however, she was married to a jerk who beat her, this information doesn’t have to be revealed until later unless there is a reason for her to fear the guy who is attracted to her.  

If it feels dishonest not to tell the reader something, then the surprise isn’t worth it because you may have lost the reader before the surprise is revealed, or the reader feels betrayed and lied to.  

If you are confused about what to do, do it the way you feel works then trust your beta readers or critique partners to tell you if this works or not.

Some articles that might help you on the subject are:  


THE HERO’S GOAL, ITS COST, AND MOTIVATION:



THE STORY PLOT TWIST:




HOW TO FORESHADOW: 



INTERLOCKING QUESTIONS:



HOW TO CREATE SUSPENSE:



Wednesday, October 9, 2013

Links of Interest


INNER CONFLICT:



FOR FREELANCE EDITORS: DIRECTORY NOW OPEN FOR YOUR FREE LISTING:



SETTING OPTIONS YOU MAY NOT HAVE THOUGHT ABOUT:



REVISION SUGGESTIONS:



PEN NAMES:



POV TIPS:



EVERYTHING NEEDS A REASON TO BE IN YOUR STORY:



HOW TO PROMOTE IF YOU HAVE NO TIME TO:



WHY YOU SHOULD UPDATE YOUR WORDPRESS SOFTWARE:



SCENE ARCS:



BRAINSTORMING PLOT AND SCENES:



PLOTTING WITH THE THREE-ACT STRUCTURE:



SETTING UP A BLOG TOUR:



STATING CAUSE BEFORE EFFECT (A SURPRISINGLY COMMON MISTAKE):



DEVELOPING VOICE:



TARGETING READERSHIP:



APP TOOLS TO ANALYZE EBOOK SALES:



KISSING SCENES:



CUTTING LOTS OF WORDS FROM YOUR MANUSCRIPT:



HOW TO GENRE HOP SUCCESSFULLY:



GRABBING YOUR READER FROM THE START:



DON’T OVERWORK YOUR GOAL, MOTIVATION, AND CONFLICT IN PLOTS:


Monday, October 7, 2013

Starting the First Novel


QUESTION:  I have an idea for my story, the characters, and most of the plot, but I’m afraid to start, and I really want to.  What’s my problem?

Thirty odd years ago, I finally decided it was time to begin writing that novel I'd always wanted to write.  I started out with lots more advantages than the average writer.  I'd taken writing courses in college, I'd written poetry and short stories for years, and I'd been an English major.

Those first hundred pages were nearly impossible for me.  I felt like I was writing it in my own blood.  Everything I'd ever learned about writing seemed to have vanished from my brain, and I struggled just to get words down on the page to tell the story I wanted to tell. I had absolutely no confidence in myself as a writer.  

Then about six months into writing and a fourth of a way through the novel, something clicked inside me, and I realized I could do  this.  My confidence came back, and the story began to pour out of me onto the page.  I finished the novel in under six weeks.  

Yes, the novel had major problems, my craft stunk, and the novel wasn't remotely publishable, but I'd finished it.  I began to rewrite it using what I'd learned as I wrote.  The novel has never been published, but few first novels are or should be published.  They are practice rounds.  

Without the Internet and all those online classes and experts as well as critique partners we have now, I had to struggle to figure out my craft on my own, and my first sold book was my seventh.  

The point is that most writers struggle with the writing.  It takes work and courage to put words on the page.  It takes even more work to make your craft competent.  But you have to start somewhere.  

Write the story and don't worry if it's not good enough.  Rewriting can take care of the flaws.  Teaching courses and good critique partners can hone your craft.

If you have to write and have to tell the characters' stories, then the work is more than worth it.

Here's a favorite quote from Nora Roberts who has written a zillion books, all of whom hit the bestseller lists.

"I'm just starting [a new book] and the battle has already begun.  I don't think they ever go smoothly. It's work. It should be work.  It should be hard work. I think if you sort of sit around and wait to be inspired, you're probably going to be sitting there a long time. My process is more about crafting, working an idea through my head to see if it's a good concept." Nora Roberts in an interview with the "Hagerstown Herald-Mail."


Wednesday, October 2, 2013

LInks of Interest


AGENT, EDITOR, AND PUBLISHER WISH LISTS FOR MANUSCRIPTS:



IS PINTEREST RIGHT FOR YOU?



WORLDBUILDING, CREATING A MAGIC SYSTEM:



TYPES OF SERIES:



HOW TO MAKE A DEPRESSED CHARACTER LIKABLE:



BEWARE THE ADDENDUMS TO CONTRACTS:



TIPS FOR CREATING YOUR URBAN FANTASY WORLD:



THE BASICS OF MAKING MEMORABLE CHARACTERS:



THE FIRST PERSON NOVEL, PART 1:



TEN QUESTIONS TO ASK AN AGENT:



TEN RULES FOR WRITING NEW ADULT FICTION:



FANTASY RESOURCES:



FIVE FINAL THINGS BEFORE YOU SEND YOUR BOOK OFF:



WHAT WRITERS NEED TO KNOW ABOUT OBAMACARE:



GENRE HOPPING AND AUTHOR BRANDING, PROMOTION:



HOW TO ADD FOLLOW BUTTONS TO BLOGGER:



CROWDSOURCED MANUSCRIPT SUBMISSION INFO AND MACMILLAN’S “SWOON ROMANCES:”





Monday, September 30, 2013

State Your Full Name for the Jury


When I started writing, one of the standard rules of a novel was that the writer should tell the full name of a main or viewpoint character in their first viewpoint appearance.  Mary may be Mary for the rest of the novel, but her first viewpoint scene should have her as Mary Smith in that first mention.

This rule seems to have fallen by the wayside in many of the novels I read, and that’s a pity.  

I write mini-reviews of every book I read and share it with some of the reader lists I belong to, and I’ve spent lots of frustrating time trying to find a main character’s full name.  Somehow, just a first name doesn’t seem enough when talking about a character to me.  

Even more frustrating is an author who refuses to give any name to a viewpoint character.  One well-known paranormal suspense writer has gone to the extreme in this.  Her series is a paranormal version of CRIMINAL MINDS with psychic FBI agents and bad guys.  Many of the characters have viewpoints in each novel, and members of the FBI team makes appears in some novels as minor characters with viewpoints.  In an failed attempt to increase suspense or to be annoyingly coy, she will often not use the character’s name until late into the novel although who that character is doesn’t change anything when his name is mentioned.  

This is so beyond frustrating that I want to grab her lapels and tell her to stop it.  

One of the most important commandments of genre fiction is that the author does nothing to stop the reader in his tracks and jerk him out of the dream of the novel, and this kind of nonsense definitely does that.  

Now, there are exceptions to always using a name.  If your bad guy has a viewpoint and you don’t want to reveal his identity yet, it’s perfectly acceptable to identify him as “he” or some other way.    Just be sure that the reader has some means of telling that “he” is the same person each time.  

Wednesday, September 25, 2013

Links of Interest


TACTICAL NEGOTIATIONS OF BOOK CONTRACTS:



PROFILING YOUR VILLAIN:  



STARTING YOUR WRITER BLOG:



SHOWING YOUR CHARACTERS FALLING IN LOVE:



FINDING THE RIGHT AGENT:



HOW CONFLICT IS SOLVED WILL MAKE OR BREAK YOUR STORY:



WHY I AM NOT TURNING THE PAGES IN THIS NOVEL (HAS GREAT EXAMPLES):



WORLDBUILDING AND THOSE FIRST PAGES:



WRITING THE OPENING SCENE:



TIPS FOR A SKYPE INTERVIEW:



QUERY LETTER FORMATTING:



MAKING A CAREER OF BEING A WRITER: